Showing posts with label 1987. Show all posts
Showing posts with label 1987. Show all posts

Wednesday, August 17, 2016

Fantasy films 1982-2008

Today we're going to talk a little about these movies:

The Dark Crystal (1982)
 
The NeverEnding Story (1984)
 
Return to Oz (1985)
 
Legend (1985)
 
Labyrinth (1986)
 
The Princess Bride (1987)
 
Willow (1988)
 
Hellboy (2004)
 
Pan's Labyrinth (2006)
 
The Fall (2008)
 
 
Today's discussion is about fantasy movies.  Obviously, it's a subject today that involves the Harry Potter films and Peter Jackson's Lord of the Rings and Hobbit trilogies, but for my purposes these will be omitted so we can concentrate on the '80s push that helped make them possible, as well as a few other more recent entries.
 
Jim Henson's production offices got the ball rolling back during the first season of Saturday Night Live, where the concepts behind The Dark Crystal were first explored.  The same company later developed Labyrinth, which has been the standard memory of the '80s fantasy push, thanks in part to the participation of David Bowie and Jennifer Connelly.  Younger fantasy fans had The NeverEnding Story and its sequel, while Return to Oz was an attempt to follow-up the iconic Wizard of Oz
 
Legend proved to be a bomb, and only took on cult status when Ridley Scott later released a director's cut.  It can be argued that Legend has the longest creative legacy.  Besides the look of Hellboy (which evokes Tim Curry's character in the movie), it can also be said to have inspired Pan's Labyrinth, the breakthrough critical success of Guillermo del Toro.  Willow might be said to be the first attempt at correcting the perceived mistakes of Legend.
 
Following the mixed fortunes of these early efforts, The Princess Bride went in an entirely different direction, downplaying the fantasy elements and instead focusing on the comedic potential of the humans involved.  The Fall later went further and made the whole thing dramatic.
 
It's interesting to think of these movies in relation to each other, whether or not the filmmakers did at the time they were being made.  Genre fans will no doubt have spent some time comparing them, or simply making preferences (that's the business of being a genre fan right there).  Some of them will no doubt have fallen through the cracks, so that unless you know they exist you might think the ones you do know are all you need to know.  Hollywood has never embraced fantasy as fully as other genres, which makes the '80s explosion all the more notable.  Yet, with the genre's fanciful elements, these films are often the source of remarkable creativity, and as such are capable of being among the most breathtaking movies you'll ever experience.




Sunday, February 7, 2016

1987 Capsule Reviews

Wall Street
rating: *****
review: Michael Douglas's Gordon Gekko became an icon for the so-called Greed Decade, and deservedly got the sequel treatment over Charlie Sheen's character in Money Never Sleeps.  And we haven't really learned anything, alas.

The Princess Bride
rating: *****
review: So beloved by fans but critics are still reluctant to embrace it.  Still, a classic.

Spaceballs
rating: ****
review: The point where Mel Brooks became better known for satirizing specific films than genres, and where critics, sadly, deserted him.  But this is still a classic in its own right.

The Untouchables
rating: ****
review: Kevin Costner becomes a leading man thanks to a rousing gangster flick that's actually about dismantling the bad guys for a change.

Lethal Weapon
rating: ****
review: Hollywood originally embraced Mel Gibson as a loose cannon.  So it's kind of ironic that he was eventually dismissed as a loose cannon.  Unlike Bill Murray in Ghostbusters, a lead character who ends up lost in an ensemble concept, this one's clearly about Gibson but remembered as a buddy flick.  Which ends up very well for sequels, actually.

Full Metal Jacket
rating: ***
review: Stanley Kubrick's last fan favorite movie is far less entertaining a study of war than his previous Dr. Strangelove.  If you were to ask what the unifying theme of his films is, it's what he thought audiences expected of him during that particular period.

Superman IV: The Quest for Peace
rating: ***
review: You can see it in all the films of the period, Hollywood struggling to find a new moral center.  This attempt to make Superman that center kind of backfired spectacularly.

Masters of the Universe
rating: ***
review: History hasn't been kind to it, but I guarantee a kid would still love it today.

La Bamba
rating: ***
review: Poor Lou Diamond Phillips discovers that everyone loves him when they know what the heck he's doing.  But otherwise struggles to remain relevant.  Not as iconic as the earlier Buddy Holly Story, but still worthy of note.

Critical Condition
rating: **
review: Madcap Richard Pryor.  Seemingly specialized in roles where he was required for a bug-eyed performance.

Wednesday, August 13, 2014

1987

Viewed/Ranked

  1. Wall Street
  2. The Princess Bride
  3. Spaceballs
  4. The Untouchables
  5. Lethal Weapon
  6. Full Metal Jacket
  7. Superman IV: The Quest for Peace
  8. Masters of the Universe
  9. La Bamba
  10. Critical Condition
Other Notable Releases
  1. Beverly Hill Cops II
  2. Broadcast News
  3. Dirty Dancing
  4. Dragnet
  5. Eddie Murphy Raw
  6. Empire of the Sun
  7. Evil Dead 2
  8. Fatal Attraction
  9. Good Morning, Vietnam
  10. Harry and the Hendersons
  11. Hellraiser
  12. Ishtar
  13. The Last Emperor
  14. Less Than Zero
  15. The Living Daylights
  16. Moonstruck
  17. Planes, Trains and Automobiles
  18. Predator
  19. Raising Arizona
  20. Robocop
  21. Roxanne
  22. The Running Man
  23. Three Men and a Baby
  24. The Witches of Eastwick
Fun Facts!
  • 1987 saw a reissue of Snow White and the Seven Dwarfs.  This was the first time I saw a movie in a theater.
  • Dragnet's TV previews might have been the first time I saw either Tom Hanks or Dan Ackroyd.