65
The more I thought of this one the more I loved it, an experience that’s worth it on a number of levels. Plus allows me to admire Adam Driver’s acting without much distraction.
80 for Brady
The cast is low energy but it would be a sin against my home country not to partake.
A Good Person
This was the year I finally understood the appeal of Florence Pugh. Another Zach Braff film worth savoring, another excellent turn from Morgan Freeman.
Ant-Man & the Wasp: Quantumania
The problem with recent MCU movies is that they keep trying to be overly ambitious without necessarily understanding how to do it. It’s the reverse of Captain America: Civil War, the third one in that trilogy that was essentially an Avengers movie. Keeping this movie entirely contained with Ant-Man characters both robs it of the Ant-Man storytelling from the two previous entries and makes Kang look infinitely smaller than he should. It’s one thing to contextualize Thanos, another to just use the villain and actually defeat him in epic fashion before he has a chance to be a threat worth bringing in other heroes.
Asteroid City
My gosh one of my favorite Wes Andersons.
Barbie
Yeah, it was fun!
Beau is Afraid
The director (Ari Aster) has been a cult favorite for a few years now, but ironically I find him most palatable when he’s at his most indulgent and not just trying to impress. A strange wonderful experience.
Blue Beetle
I loved this more in theaters than I did at home.
Chevalier
Wanted to make one point and either intentionally or accidentally made another. Look, we have a black musical genius who ended up buried by history. Worth rediscovering. Not worth trying to sell the benefits of the horrific Reign of Terror in the process.
Cocaine Bear
I really wanted to like a big dumb movie. I ended up just sort of liking it. Desperately needed characters as outlandish as the premise. But the ‘90s sort of proved this was a very fine line to walk. So I get why it went in a different direction.
Dungeons & Dragons: Honor Among Thieves
Basically an MCU movie set outside the MCU.
Fast X
I’ve been along for the ride since the second one. Of course I’m still aboard.
The Flash
I will always doubt public opinion on the face of it when it’s too universally positive or too universally negative, since it becomes clear most of it is just people deciding it’s easy to just agree. This would be one of those modern examples. I love the Barry Allens. I love Keaton’s return. I love Supergirl. I adore this depiction of the Allen household and crisis. Everything else is needless nitpicking.
Guardians of the Galaxy Vol. 3
I love that we get the secret origin of Rocket. Everything else basically ignores Rocket himself, though, which is the basic problem of the film. If you have the heart you need it pumping.
Guy Ritchie’s The Covenant
From April until July this was easily my movie of the year, a breathtaking set of journeys built around themes of duty, commitment, endurance, responsibility, humanity, all needful statements in this current age.
John Wick: Chapter 4
Watching it in the theater I wondered if it had, other than its ending, something valuable to add to the franchise. Watching it back later, I understood its merits better.
Killers of the Flower Moon
Martin Scorsese has been chasing The Godfather his whole career. This may be his most complete response.
Knock at the Cabin
M. Night Shyamalan back to his classic roots after years of experimenting.
The Last Voyage of the Demeter
As an addition to Dracula film lore, I’m glad this happened.
Marlowe
Liam Neeson is taken totally for granted these days since he “only makes mindless action movies.” This is a great take on a classic literary and film figure.
Master Gardener
A classic showcase for Joel Edgerton.
Mission: Impossible - Dead Reckoning Part One
This is the fourth stylistic reincarnation of the series, more playful, somehow more dramatic.
Napoleon
Ridley Scott is the unchallenged king of historical epics. And this is probably his best work.
Operation Fortune: Ruse de Guerre
It’s strange how effortlessly I’ve become a fan of Guy Ritchie in recent years, since for a long time I couldn’t have cared less. But these days he can do no wrong for me. This one’s popcorn enjoyable.
Oppenheimer
Something would have to come out of nowhere to displace this as my favorite movie of the year. A career pinnacle of a career built out of pinnacles.
Paint
Owen Wilson doesn’t appear in Asteroid City, but in this film found something Andersonesque anyway.
Plane
On Facebook I’m in a Lost group. Someone pointed out this was essentially a Gerard Butler version of the basic plot of the series. Which it is. Which is not necessarily the only way to enjoy it.
Polite Society
This year’s closest equivalent to Everything Everywhere All At Once is a delight not completely to that level but its own irresistible pleasure.
The Pope’s Exorcist
Russell Crowe getting back into theatrical starring roles is a good thing as far as career statements go. This one wasn’t as good as it could have been. Almost. Still an interesting role and performance from him, though.
Renfield
The other Dracula movie (perfect role for modern Nic Cage!) is great fun.
Ruby Gillman, Teenage Kraken
It’s not just Disney firing blanks with families this year. This is an entertaining movie that came and went with nobody noticing.
Shazam! Fury of the Gods
More confident than the first one. Still requires you to believe this is the DC alternative to everything you didn’t like about every other recent DC movie.
Sisu
One of those obvious cult classics in the making that it’s absolutely worth experiencing. A slightly more grounded John Wick. Slightly.
Sound of Freedom
Jim Caviezel has become a genius at finding projects for those interested in him from that time he got brutalized for two hours.
Spider-Man: Across the Spider-Verse
A kind of postmodern superhero movie that’s less about the superhero doing anything super and more about the superhero plunged deep into superhero logic. Most comics are being written like this these days. I know this is the second one, but I found this one easier to watch. But still a snake eating its own tail.
The Super Mario Bros. Movie
Pretty much exactly what it needed to be. (So the exact opposite of that other attempt thirty years ago which thought it was Beetlejuice.)
Sweetwater
The kind of movie that gets no attention these days but used to be studio and cultural bread and butter, explores the story of the first black player in the NBA, totally unknown today.
Other movies to catch up on, others yet to be seen…!
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.